Sebastian Chan: DJ by night, web pioneer by day

Years ago I used to love lis­ten­ing to 2SER Radio in the after­noons, I think it was between 1pm and 4pm, when every after­noon a cou­ple of dif­fer­ent pre­sen­ters would come in and play some of the finest music radio I have ever heard. Just good, inter­est­ing, largely dance ori­ented music, pre­sented by peo­ple with no agenda except to share their knowl­edge and pas­sion. Among my favourite after­noons — The Mothership Connection — the peo­ple from Clan Analog used to have a show as well — was a show called The Paradigm shift, put together by two guys who called them­selves Sub Bass Snarl. You can actu­ally still catch the show now at the later time of Mondays from 8.30 to 10.00pm.

I don’t know why I was sur­prised last year when I first made the con­nec­tion between “Seb Chan, the guy from Sub Bass Snarl” and “Seb Chan, the guy who works at the Powerhouse Museum”. Because really, I should have realised by now that inter­est­ing peo­ple con­tinue to do inter­est­ing things through­out their lives, not just when they are young and free.

The Powerhouse, in no small part due to the work of Seb, have become gen­uine Australian pio­neers in using social media in the museum con­text. With the launch of their OPAC 2.0 search tool, back in June 2006 their site started track­ing and respond­ing to user behav­iour, increas­ing serendip­i­tous dis­cov­ery dur­ing searches. They also allow user gen­er­ated tag­ging of the col­lec­tion, pro­foundly chang­ing the way this col­lec­tion is accessed online every day for the bet­ter. Seb spoke about this project exten­sively in his pre­sen­ta­tion at Web Directions South last year.

As well as being a prac­ti­tioner, Sebastian is a great sharer of infor­ma­tion: I’m very much look­ing for­ward to the work­shop he is pre­sent­ing in Canberra this upcom­ing May — Social Media and Government. Events like this really don’t hap­pen every day in Australia, and will be well worth a visit to our nation’s cap­i­tal in the early Winter.

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